Saturday, November 18, 2006
Wednesday, November 08, 2006
Sodden
I nearly faltered this week in my resolve to find colour projects in my present natural surroundings. It has been dumping rain for a week now, you can't see past the tops of the trees or across the street, and the foliage is mostly on the ground in sodden heaps. Like this:
Chocolate, lavender, and a touch of cream - who knew soggy decay was so delectable?
The Colour of Water
The dominant impression of autumn invariably seems to be the brilliant oranges and reds of the foliage, but there are also subtler hues hidden in the rainy shadows. Last weekend we took a little family hike:
On the way, we crossed one of the glacial creeks that feed Lost Lake:
I was struck by the contrast between the turbulent bits and the silty gray-green of the still water.
Pixellated:
The palette:
And the pattern:
The geometric pattern is adapted from an authentic Kurdish sock found in Anna Zilboorg's book. (I've been spending a great deal of time in that book while designing the scarf, and though this pattern won't fit in that project, it's one I've always admired.) I tried not to overthink the arrangement of the colours - I find I can easily get carried away with the mathematics of sequence and contrast.
On the way, we crossed one of the glacial creeks that feed Lost Lake:
I was struck by the contrast between the turbulent bits and the silty gray-green of the still water.
Pixellated:
The palette:
And the pattern:
The geometric pattern is adapted from an authentic Kurdish sock found in Anna Zilboorg's book. (I've been spending a great deal of time in that book while designing the scarf, and though this pattern won't fit in that project, it's one I've always admired.) I tried not to overthink the arrangement of the colours - I find I can easily get carried away with the mathematics of sequence and contrast.
Dawn
While the autumn foliage has been spectacular, I've just been spending a little too much time with Tomato Red and Carroty Orange of late. I'm in the mood for something quieter, more subtle, soothing, even hopeful - and what could be more hopeful than the glowing dawn of a new day?
I have always been fascinated by the colour progression of sunrise:
The subtly graduated palette:
I am disinclined in this case to superimpose a "pattern" - I think I would let the colours speak for themselves in a progression of blended stripes or waves. (Though perhaps not in a sweater - seeing as the most vivid hues would highlight the midriff....) It could however, make a stunning scarf or shawl.